About

This is the blog for 33 Revolutions Per Minute: A History of Protest Songs, published in spring 2011 by Faber & Faber in the UK and Ecco in the US. I post opinion pieces, Q&As, links, deleted material and other stuff about music and/or politics. If you’d like to contact me, you can do so via the comments box here, via Facebook or via @dorianlynskey on Twitter.

“Excellent and exhaustive… a fascinating journey.” – The Sunday Times

“Majestic…panoramic… packed with anecdote and detail…profoundly moving.” – The Sunday Telegraph

“Magnificent.” – The Wire

“Lynskey’s ability to link history, culture, politics and music makes the argument not just for the potency of protest but the need for music journalism. The stories he tells are as epoch-shaping as the songs themselves.″ – NME

“A panoramic view of music, politics and social history that’s wonderfully well-written, informative and often surprisingly funny” – Uncut

“A scrupulously researched, elegantly written and highly absorbing account of the intersection of politics and music.” – The Independent

“Lucid and authoritative” – The Guardian

“Ambitious, astute… Lynskey displays complete command of the music and the events that sparked it.” – Kirkus

“Comprehensive and beautifully written.” – Booklist

“A bracing and informative survey” – The Nation

“Amazing… very long and somehow in these times very important.” – Nicky Wire, Manic Street Preachers

“Excellent” – Lauren Laverne, Grazia

When pop music meets politics, the results are often thrilling, sometimes life-changing and never simple. 33 Revolutions Per Minute tracks this turbulent relationship across 33 pivotal songs that span seven decades and four continents, from Billie Holiday crooning Strange Fruit to Green Day raging against the Iraq war. It explores the individuals, ideas and events behind each song, showing how protest songs have soundtracked and informed social change since the 1930s, making their presence felt from the streets to the corridors of power. Through the work of such artists as Woody Guthrie, Bob Dylan, Stevie Wonder, Fela Kuti, the Clash, U2, R.E.M., Public Enemy and Rage Against the Machine, this expansive survey examines how music has engaged with racial unrest, nuclear paranoia, apartheid, war, poverty and oppression, offering hope, stirring anger, inciting action, and producing songs which continue to resonate years down the line, sometimes at great cost to the musicians involved. Packed with anecdote, argument and exclusive new interviews, 33 Revolutions Per Minute is an absorbing and moving document of the songs that made history.

Dorian Lynskey is a music writer for the Guardian. He has freelanced for a host of titles, including Q, The Word, Spin, Empire, Blender and the Observer. He is the author of The Guardian Book of Playlists (Aurum, 2008), a collection of his Readers Recommend columns for the Guardian.

47 Comments

  1. Do you mind if I send you our promos? I know from your blog that this might be at the fringes of your interest but I thought I’d send it over anyway. It’ll be coming out as a free download soon over at http://www.picturesmusic.co.uk.

    Koreless – Up Down Up Down – http://ge.tt/4CRydSf

  2. hi
    i have a press release that i havent got the foggiest idea what to do with it but i gathered u write and i rap so a press release about my raps wouldnt harm you to look at

    drop me a line with instructions on what to do next and i will duly comply

  3. We’re looking forward to your “33rpm” book across the Atlantic:

    http://designconsciousnessconsciousdesign.blogspot.com/2011/02/protest-songs-and-pop.html

  4. Hi Dorian

    I am writing on behalf of the organisers of 6 billion ways to invite you to speak a political conference we are organising next Saturday 5 March. I am organising a session on music and politics and as you have a new book coming out it would be great to have you on our panel. Other speakers include John Pandit from Asian Dub Foundation and Dave Randall from Faithless.

    On a not too unrelated point Lauren Laverne suggested I get in contact with you as I am working with some musicians at the moment who will be releasing a mainstream protest song this summer that you may be interested in. If you could get in touch with me to chat about this or let me know an email where where i can describe the project in more detail that would be great

    Cheers!

    Yasmin

  5. Just heard you on Front Row…. thought you might be interested in this album: http://homegrownsounds.bandcamp.com/

  6. Tryin’ To Resist…http://www.youtube.com/watch?v=wBhI8nCthXc

  7. Hi Dorian, you’re back was featured in Holland’s biggest public daytime talk show called De Wereld Draait Door (DWDD) (roughly translated As The World Turns). And just at the moment as i started working on the influence of the protest of 1968 on European Pop music culture for our website. I already wrote a short intro which can be read on the site http://www.europopmusic.eu and am already underway with describing France. The goal is to give a short blog about the events of 1968 for every European country and the influence it had. Mind you, this is much more blog-style then book style so the text is much more compact. Maybe you wanna help out with this series of short articles? As co-editor or something? Since you’re on the subject anyway. Hope to hear from you.

    • Hi Bas. Sorry for my slow response – I’ve been so busy with book business that I’ve lost track of some of my correspondence. Any chance you could send me a message via Facebook and we can discuss it there? D

  8. Of course I meant your book (damn keyboard) but your back would have been a scoop as well ;-)

  9. Hi Dorian, Loved the Guardian interview. Have just set up a protest song website http://www.greatprotestsongs.com/ with 50 videos and articles about protest songs. Am also featuring your book on the site (after hearing you talk). I will order it and review it on the site, From what you were saying, I am sure I will love it. The power of protest songs for me comes through discussing them so thanks for your great work. If you would be kind enough to have a quick look at my site ,it is kind of fun and entertaining and I am hoping to sell a few copies of your book! Maybe leave a comment and Like it on FB if you do like it! I am hoping to get 5000-1000 visitors a month – I only launched a couple of days ago but am getting good feedback. Thanks again for your work,

    Rob Egan

    • My lads in a band with a cracking protest song about the coalition called ‘who keeps the windsors in stockings and gin’. Definitely worth a listen if its in your line of interest

      http://www.youtube.com/watch?v=PIgkmfZCkIQ – they’re called naymedici

      Garry

  10. Hi Dorian,

    I’m a features writer in Madison working on a piece on the protest music that has emerged surrounding the recent events in town (also recently read your book). Would you be up for a short email interview? Thanks much.

    Best,
    Andy

  11. Hi Dorian,

    I am a third year journalism student at Southampton Solent. I am currently writing my major project, which is entitled ‘A Generation Without A Hero’. I am looking at the
    changes in society’s attitudes to musicians, to explore if musical heroes still
    exist for the current generation.

    Michael Azerrad recommended that I read your book 33 Revolutions Per Minute, which has really helped with my research. I would like to arrange an interview to ask
    you a few questions as I think you would be able to throw a lot of light on the subject. A telephone interview would be ideal, but I could email some questions if this isn’t convenient.

    Thanks for your time, I look forward to hearing back from you.

    • Hi David. Can you send me a message on Facebook? I don’t want to post my email address here. Cheers Dorian

      • I’ve sent you the questions, thanks for your help
        David

  12. Hello Dorian,

    Just finish your book. Great read. The development of the so ambivalent relationship between pop music and politics has never been so well told. I am very interested in the political field of music. Recently finished a master on International politics. For my final dissertation I presented an essay on the multi-cultural and politicised Mestizo music scene represented for dissenting musicians such as Manu Chao, Mano Negra, Zebda, Lila Downs, Mau Mau, Sargento Garcia or Fermin Muguruza. I am sure this music scene which was at the front of the protest movement at the beginning of the XXI century ( http://www.youtube.com/watch?v=RbwtwFMhCdA&feature=related) wiil be of interest to you. In this case please let me know. Would like to share my work with you

    Thanks for your book and look forward to your news

    Pedro

    • Thanks Pedro. Your dissertation sounds fascinating, especially as I don’t know much about those artists. How can I read it? All the best, Dorian

      • Hello Dorian,

        I just opened a blog account where I have put my dissertation. Check the address of the website.

        Please let me know your comments.

        Thanks a lot

        Pedro

  13. [...] and never simple,” writes Dorian Lynskey, a music writer for the Guardian. His book, 33 Revolutions Per Minute: A History of Protest Songs, tracks “33 songs that span seven decades and four [...]

  14. [...] and never simple,” writes Dorian Lynskey, a music writer for the Guardian. His book, 33 Revolutions Per Minute: A History of Protest Songs, tracks “33 songs that span seven decades and four [...]

  15. Hi Dorian,

    Sorry I haven’t replied to you until today but I have been traveling (honeymoon!!). I will be back in Manchester by Sunday 1st May. Then I will be able to send you my dissertation. I can send you via email if you don’t mind or by post.

    Thanks for your interest.

    Best wishes

    Pedro

  16. Hi Dorian,

    My name is Natascha. I am a writer and artist in Toronto with a focus on music and social consciousness. I was wondering if I could procure a copy of your book for review on my humble blog, or on the larger blog that I write for Musicvice.com. I heard the spot on the CBC today while waiting at the doctor’s office and I love the idea.

    T.

  17. Hello Dorian,

    I’m a producer for Brazilian cable magazine Saia Justa, airing in Brazil on Globosat and also seen in other countries on subscription channels. The show’s New York-based correspondent Lucia Guimaraes would love to tape a brief interview with you on 33 Revolutions per Minute.

    I’m not sure if a visit to New York is in your plans soon, but we’d be glad to speak to you over the phone or perhaps even try something via Skype if it works for you.

    I can follow-up via email with samples of our work and more information.

    Congratulations on the book, I look forward to hearing from you.

    Thank you very much,
    Paulo José Maia.

  18. Working my way through the book at the minute – absolutely stunning piece of work. Though you might be interested in this tune – written by a group of long term unemployed folk, taking part in a creative music adult learning course at Kirkcaldy YMCA in Fife, Scotland. Inspired by the Tories welfare reforms, including the ‘work’ programme and the mandatory work placement scheme.

    Enjoy and thanks for writing a cracking book.

  19. Though this one also might also float your boat – skint folk from Fife (and female too) get the hump about the bankers who are evidently ‘wankers’.

    Track 3. All tracks written performed and recorded by skint doleybums with nothing better to do than revolt against the situation they find themselves in, rank capitalism and corrupt bankers.

  20. Hi Dorian – I have a monthly column about music & society in a weekly supplement that gets published with three Afrikaans newspapers, Beeld, Burger & Volksblad here in South Africa. My most recent column that was published this past Saturday focused on your exceptional book as well as my own detention by the police during the apartheid era. I honed in on Victor Jara and the headline was “To sing of freedom”. Here is a link (unfortunately in Afrikaans, but I can provide a rough translation if you are keen): http://www.beeld.com/By/Nuus/Om-van-vryheid-te-sing-20110624 .
    Kind regards, Charles

  21. I’m sure I’m not the first on this, but I believe the more likely source of “This Land Is Your Land” is “When the World’s on Fire”, also by the Carter Family. Really enjoying the book ….

  22. Hi Dorian,

    I’m a recent music graduate, with a passion for musicology.

    I find your writing for the Guardian Music Blog most interesting, especially the entry on Ramy Essam. Just wondered if there were any writers that inspired you and if there are any books in particular (as well as your own of course) that you would recommend for further research into Music and Politics?

    Any recommendations would be most helpful. I have included my email address.

    Kind Regards,

    D

  23. I really enjoyed the book so I thought I’d put the principal songs that you cover together as a Spotify playlist. There’s a couple of substitutions due to Spotify not having the song in question, and I couldn’t bear to include U2, but it’s mostly faithful to the chapter headings. Hope it’s of interest to someone who likes to listen as they read:

    • Listening to Iggy Pop advertise insurance in between ‘Of Walking Abortion’ and ‘Sleep Now In the Fire’ sheds a certain kind of enlightenment on the nature of rebellion in the 21st century, anyhow.

  24. Hi Dorian,

    I’m launching a series of EPs in support of the Tax Justice Network and the microfinancing charity Kiva. I thought you might be interested in hearing the music.

    Kind regards,
    Seth Mowshowitz

  25. I discovered your blog recently and really enjoy it. I am giving you The Liebster Blog Award. Please follow this link to my page to see the rules.

    http://desertdogmeh.wordpress.com/2011/11/28/its-award-time/

  26. Contact me for a story please – my email address should be displayed. Thank you!

  27. Good work on the Diane Abbott blog. Restored some decent perspective

  28. My comment about the left’s hypocrisy over getting outraged at David Cameron’s tourettes comment while defending Diane Abbott’s comments and telling people to stop being offended about it has been deleted. So much for Lynskey’s “I don’t delete comments” policy. Must be to cover up obvious double standards.

  29. Hello Dorian, I’d love to send some music your way from my record label. Please me up with the info on how to send it your way. Peace.

  30. Dear Mr. Lynsky:

    I am currently a student at Stoneham High School in Massachusetts and am working on a National History Day project on the impact that protest music had on American Society in the 60’s and 70’s. I am still waiting to receive your book, but would be incredibly appreciative if someone you would be able to answer a few questions via email, facebook, or phone on this topic. Thank you for your time, I look forward to hearing from you.

    Best Regards,

    Jimmy Ditullio
    jimmyditullio@gmail.com

  31. Hi there would you mind sharing which blog platform you’re using? I’m planning to start my
    own blog in the near future but I’m having a difficult time choosing between BlogEngine/Wordpress/B2evolution and Drupal. The reason I ask is because your design and style seems different then most blogs and I’m looking
    for something unique. P.S My apologies for getting off-topic but I had to ask!

  32. [...] More info [...]

  33. The EP is out Feb 9th

  34. You really make it seem really easy with your presentation but I to
    find this topic to be really one thing which I believe I might by no
    means understand. It sort of feels too complex and extremely extensive for me.
    I’m having a look ahead to your subsequent submit, I will attempt to get the dangle of it!

  35. Hi Dorian,

    Check this interesting video from a Turkish folk band (this has been sent by Nick Kavala via IASPM about the lattest protests in Turkey

  36. Dear Dorian, i am Kurdish protest singer /Songwriter who lives in London. I have just seen your blogger and I really liked it.i will be happy if you keep in touch through my email. Kind regards. Aygul

  37. Thank you for 33 revolutions per minute. It has become on of my favourite albums during the last year. For a long period of time politics seemed to have vanished out of modern music. It seems that stars in the music world are only caring about money and more money. It seems like a political expression is always threatening your career not making you more authentic. Therefore it is good that we are reminded of the old virtues of a good rocking protest song!

  38. Dear Mr. Lynskey: We used your book as our summer read for the AP United States History class at our school. We are in the middle of discussing your book and listening to some of the music mentioned in it. We’d love a chance to talk with you as a class via skype (we are in Michigan, USA) if you have any availability. Thank you.

    • Hi Debra. I’m delighted you’re using the book in your class. I’d be happy to talk if we can arrange a time when I’m free. Perhaps you could send me some possible dates and times. My email address is dorianlynskey@btconnect.com. All the best. Dorian


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